Bryan Joiner

Why then I

Month: March, 2010

Movies on my shelf: The Godfather

The Godfather is one of those things that I always wanted to know about when I was in high school but only got to know about in college — and have tried, desperately, to pretend that the movie (series) is some fundamental part of my upbringing when the fact is it’s simply not. Sure I like and appreciate the film(s), but I wouldn’t cry myself to sleep if they went away forever. I could do without it easier than I could do without Major League, which probably tells you where I’m coming from as a movie reviewer. I suspect I’m in the minority with that particular comparison, and for that I’d probably blame television and growing up with a single mother. Roger Ebert recently tweeted something to the effect that kids like good movies until you take them to Transformers or some crap American blockbuster like that; I was, for all my braininess, a consumer of the Hollywood Movie System and didn’t know better. Now that I do know better — and it took 32 years for it to really sink in — I still love Major League, but I’ve already topped out my appreciation for The Godfather. Why? Because for years, The Godfather was the movie I wanted to understand, so I watched it over and over (over a period of years and not, like consecutively) and grinded every nuance I could “appreciate” into the ground. I wasn’t alone. Bill Simmons made a habit of doing shit like this, as did Ravi and others of my friends who really wanted to love the movie. But at this point, what can I say about it that hasn’t been said? It’s the Mona Lisa, and I feel like one of the hundreds of people crowded around it, trying to take a photograph. I can reconstruct it from memory, and it brings me no real joy. The theme song has been playing in my head since I devised this little blog conceit in a fit of boredom, and I have a headache. (The Godfather Trilogy is at the top left of my movie shelf, which is why it came first. It is there because it comes in a jet-black box, and my movies, like my books, are color-coded. You can take the weed out of the boy, but you can’t kill the stoner.) I’m not calling The Godfather a bad or even less-than-great movie. I just can’t imagine popping it in anytime in the next five years. Stuck in the corner, it’s a museum piece.

Cannot WAIT for baseball

Spring sprung once but went away and it’s 35 degrees today. If there’s one thing I hate, it’s Opening Day in the freezing cold. Cubs Cubs Cubs: it’s always about the Cubs. A few years ago I went to Game 2 of the season, Mets/Cubs, with my uncle. Sammy Sosa was on 499 home runs and belted one to left. Everyone stood up, but the ball froze midair and dropped into the outfielder’s glove. We sat back down and drank hot chocolate. A few years before, I was in Chicago, at Cubs Opening Night, or something resembling it. All I remember is the freeze.

I know it was like this when I was a kid but it doesn’t always feel that way. I remember in 1994 it had to be (or 1992 or 1993) when I rushed home from school on April 1st-ish to watch the Sox play Toronto. Afternoon game. Got there after the piece de resistance: Jack Clark grand slam. HOOOOOO doggies. That’s all anyone talked about the next day. Might have been his first year with the team and the expectations were set, but never met. Last year Dustin Pedroia homered on Day One following his MVP season and basically stopped going deep after that. But he had a flair for the dramatic.

Then there were all the Pedro moments, good and bad. Pedro was never really ready to go on Opening Day, as far as I could remember, and I (and we) always attributed this to him being so little and so Platonically Dominican. He doesn’t warm up until May. Unlike Clemens, who brought the noise one year so hard he was 6-0 or something like 10-0 and there was talk of winning 30 games and I was like I can’t believe this guy is on my team. It’s the big legs that do it.

I don’t like Sox/Yankees to start. I don’t like it much at all. Too many times into the fire for me, taking abuse at Yankee Stadium. I could basically do away with the Sunday night game. As a showcase of baseball, it’s painfully limited. Gotta get every team in around the Sox, Yankees, Mets, and Cubs. Schedule the Giants and pray for Lincecum, but get stuck with Kirk Reuter (not really, but you get it). Fitting that those games won’t be on MLB.tv and I’d have to watch the game at a bar. I hate baseball at bars. I get too drunk to follow what’s going on. That’s why I like that beers are so expensive at the stadium. Keeps me in line, even if it’s hard enough to follow shit in the crazy environment, and then I’m calculating fantasy points and batting averages…

Here’s what I want this year. I want to maybe go to Yankee Stadium, but not for a Sox game. Too much trouble. I want to go to a Braves game to finish out the comet tail of the Everything Comes Back to Atlanta phase. Could be at Sheatifield, but I’m not going for the Mets’ sake. Ever. I want to watch as many Sox games as possible on my computer and know the little things the players do that don’t show up in the box score or game story. I want to see Pedroia knock doubles down the line and I want to have an opinion on who’s cooler: Beckett or Lester. I don’t want Dice-K to get within an Acela ride of the pitcher’s mound unless he’s learned how to throw strikes, but it’s probably too late for that. I root for the guy, but I don’t.

It’s 35 degrees out and baseball starts in eight days and I’ll probably go to a bar to watch it and get too drunk.

Health Care Tweets For Your Funny Bone

Here’s are my Health Care Tweets. Some of them are funny. Some of you read my Twitter feed, others don’t. I will probably write some more.

Peal and Repeal are walking down the street. Peal falls and breaks his arm. Who’s pissed that it doesn’t bankrupt him?

Dammit, I got 11th in my pre-existing conditions fantasy draft. I’m gonna be stuck with bacne.

Boehner said health care reform would be done over his “dead body.” So was that angry guy last night the smoke monster?

Republicans in 2003: If you don’t love it, leave it. Dems today: If you don’t love it, stay and we’ll take care of you when you’re sick.

VIDEO: Obama’s statement in its entirety http://bit.ly/14v0eX

If I do say so, I’m on fire tonight. Good thing in our socialist paradise, I can call the FDNY for free.

Good news for *some* GOP members. They can now claim racism as a pre-existing condition.

Looks like I picked the right week to start sniffing glue.

George W. Bush to House GOP: Quit your whining. I didn’t have the most votes, and I still won.

Shutter Island

Shutter Island may be, when 2010 is over and done with, the scariest movie to come out this year. It’s not just the filmmaking — it’s the premise. Effectively we have an entire genre of movies from The Matrix t0 Avatar that embrace the concept of living through a vessel, in some sense, for good or ill. At the same time it’s a concept we’ve grasped pretty firmly with the explosion of the Internet and on which David Foster Wallace hit pretty surely on the nose in Infinite Jest, with characters conversing basically via Skype (this was published in 1994) but wearing all manner of absurd masks to adopt new personas/conceal their real ones. I have a Facebook account and a Twitter account and a blog with my name on it and different commenter names on various blogs. In many ways, I can choose exactly who I want to be on a daily basis.

Shutter Island takes that freedom and shoves it right back in your face. It says: No. All of your efforts to outrun the past will fail. Your avatar will never be strong enough. There is no time but now, no day but today, and you are nothing more than the sum of your days. In an era where literally everything points in the opposite direction, Shutter Island is terrifying because it’s right.

Books on Vacation

Just got an email from the wolves, who’s in Buenos Aires. Subject: “Gravity rainbow” [sic]. Body:

Take 3.
Is getting torn up faster than a Kenyan runner.

You get the point. Misra is in a park in 75-degree B.A., tearing Pynchon to pieces. I know the feeling, and it’s great. Vacation is the best time to read: you’re open to every word, and you’ve got no real time constraints. I took down 100 Years of Solitude in Australia, and it’s still the most lucid reading I’ve ever had.

I get the feeling, albeit to a much lesser extent, when I crack a novel at lunch. I used to do this all the time at my summer job when I was a teenager. I’d go to the park or the benches by the Capawock theater, pare down to a T-shirt, and let some unsuspecting novel just have it. I’d fly for a few chapters before my internal clock would go off at about 10-til, whereupon I would find a good stopping spot two or three pages away. It was so exhilarating knowing that I’d be slamming the book shut at the end of those thousand or so words.

And now the thing is that I just did this. An hour ago, I pulled out Midnight’s Children and moved over to “Secret Park,” a square-cut green space on 28th Street that’s my preferred alternative to Madison Square Park. I took off my sport jacket, rolled up my sleeves, and pinned the book to the table. Rushdie got owned. It wasn’t quite vacation, but it was something like it. I wasn’t just in India. I was in a time machine.

The Ghost Writer

I spent a good deal of yesterday doing things and feeling like I was doing nothing, so I resolved to see a movie, even if I had to do so by myself. I had to do so by myself. I figured this would be a good time to see The Ghost Writer.

I wanted to see The Ghost Writer for three reasons: it got good reviews; some college friends had recently extolled Roman Polanski’s brilliance; and because it is set on Martha’s Vineyard — or, for the purposes of this discussion, “Martha’s Vineyard.” One will never know if the film’s details about the island wouldn’t have amusingly thrashed between spot-on or just poorly researched if Polanski wasn’t effectively banned from shooting there, but obviously catching what was and wasn’t “real” was part of the film’s charm for me. It’s probably better that I went alone.

To give a quick summary: A British writer (Ewan McGregor, “The Ghost”) is hired to ghostwrite the autobiography of a Tony Blair-like former P.M. (Pierce Brosnan, “Adam Lang”), who is holed up for the winter on an island in the United States of America that looks a lot like Martha’s Vineyard, and shares many place names with it. The Ghost shows up, begins work on the project and discovers unexpected levels of complexity. Things happen, and he becomes part of the things, and that’s all I’ll say. It’s worth seeing, and what I’m about to say has nothing to do with that.

I will note first off that the words “Martha’s Vineyard” are neither spoken nor shown at any point during the movie; the Ghost is simply told he will be going to “an island in the States.” The very opening shot is of a passenger/car ferry that looks externally like none of the boats currently floating between Woods Hole and Vineyard Haven but which opens to find an identical interior to those. The stage is set for the Royale-With-Cheese Vineyard; it’s the little things that are different. The Ghost gets to the island by 747/puddlejumper/ferry, adding an unnecessary step (puddlejumper/ferry is an either/or proposition) but one that already had me smirking for an unrelated reason: If there had been no other clue that this wasn’t really home, the color of the water alone, an unforgiving slate gray, would have been an immediate giveaway. Our water always smacks of deep blue.

The movie was actually filmed in Northern Germany, and I’ll say this: Much of the going-to and coming-from Lang’s house takes place on a road that is indistinguishable from Moshup Trail, and the adjacent beach also duplicated Aquinnah. Well played. The problem here is not simply that somehow the Ghost must re-enter a wooded wilderness (also, with its exceedingly tall, North Sea-stripped trees, not the Vineyard) before getting to Lang’s beachfront property, but that can be forgiven as another plot necessity. More urgently, the house, in its low-rise white-brick mod/70’s/Euro style, is something that doesn’t have an analog on real life-M.V. and probably never will, which isn’t to say it could never happen. If it did, the kids would be itching to party there, and would probably succeed.

The in-town shots were pretty spot-on, and a couple times I wondering if I wasn’t actually looking at B-roll footage of Edgartown. I wasn’t. The townsfolk were conspicuously without accents, and the names of places weren’t exactly spot on, nor were their locations. At one point, the Ghost asks for a map of the island, which the camera consults only fleetingly. I caught the word “Chilmark” but didn’t catch the landscape — again, it looked a little off. While the Ghost’s car laudably directs him to “Edgartown Vineyard” at one point, the ferry travels between an unnamed off-island port and the fictional town of “Old Haven.” It’s hard to know whether this is sloppiness or intentional blurring of reality due to Polanski’s inability to actually see or film the Vineyard; maybe it’s a sly way of saying his America isn’t our America, and that we’re seeing the America of his memory. The entire movie is dream-like, and this brought it to another level for me… but obviously, I was one of the few people paying attention to every last detail.

This could easily lead into a discussion of how places are represented on film, and what effect it has on the moviegoing experience. Take Spider-Man 2, for instance, which stages a critical fight scene on an imaginary elevated train in Manhattan — less New York reimagined than contempt for the audiences in the know — unlike, say, in When Harry Met Sally, when the couple departs a second-tier university on the South Side, heading to New York, and finds themselves on scenic North Lake Shore Drive, a detour of at least an hour’s worth of violent arguments. Anyone familiar with Chicago would have gotten it immediately: Dumb, but it looks really nice. Cinema is bursting with examples like these, and I think it comes down to respecting your audience. I’ve got no problem with The Ghost Writer. I liked the scavenger hunt element.

There were a couple other nice touches. One was that Jim Belushi has a bit part. He’s a well-known Vineyard guy whose brother is buried there, and to whom I sat next once at a restaurant where Belushi was known to be friends with the chef… who came and talked to my mom first. This is probably because Belushi and the chef had a long night ahead (sniff), but I didn’t know that at the time. I was damn proud of her.

The other part was when Olivia “I wrote a hit play” Williams was walking the beach under gray skies, nose scrunched, disapproving of the wind-whipped landscape of which she had become a part. “I just want to go home,” she said, with more than a hint of disgust. I had to stop myself from laughing out loud, because no one else would have gotten it. The difference was that her exile wasn’t self-imposed. I, too, want to go home, but at this point home is as much Polanski’s Vineyard as it is the real one. I’ve let the real one drift away from me. The only way to stop it from going any further, I suppose, is to trap it firmly underfoot like a piece of paper pulled by the breeze.

Happy Town

I know that a lot of you hit the walls of text that appear on this blog face-first; that’s my fault. I suppose if my stuff was consistently interesting — like if you knew every one of these train rides was going to end up in Happy Town — it wouldn’t be a problem. In Happy Town, the sun always shines and the coffee tastes just right without adding anything. Sometimes we do end up in Happy Town, but just as often as we do we have to ride through Sad Valley to get there, where it’s always raining and the landscape is ash-colored, and constricting. You can feel it around your neck.

The problem is that there’s no map you can study to see if the train does, in fact, end up in Happy Town. The conductor doesn’t have one and it isn’t plastered on the walls. How much better would if there was! You could be like, “Is this blog post going to be good?” and you could just check the map and it would be like: Yep, you’re going to LOVE it. And you could sit back down and enjoy the ride, confident that the seconds you spent winding your eyes over the words weren’t in vain, and wouldn’t be better off staring at the TV, or inside your refrigerator.

The thing is, readers have options, and it’s my job to keep you reaching for the string and keep pulling it away… and you’re tempted to go away now, aren’t you? I’ll admit to you: this blog post has no point. It’s about writing blog posts. I’m not sure that it’s a great subject, but it’s one I’ve been feeling as I’ve tried to up the word count around these parts. I just want my shit to be inviting. I want it to be like that person in the warm bathtub, leaning their hand over and giving the “cmere” finger, and you know that water’s all warm and stuff and it’s really about that moment of YES I AM GOING TO DO THIS. When I write a post, I want you to drop everything you’re doing, literally so, and click on the headline and be f*cking entranced, at or least interested. I want you to know this: We are going to Happy Town.

Of course I don’t really have a subject at the moment. It is not the age of the generalist, but curiously, once people accept specialists — think the Sports Guy, or Roger Ebert — they become accepted as generalists, for good or ill. In Ebert’s case, great! In Sports Guy’s case, meh. My only specialty, I think, is my penchant for having one-liners at the end of my posts, which is something I’m trying to cure. Not that they’re bad, but a sammich ain’t just about the bread. I think I stole it from Rick Reilly because he won awards. It would be better to keep things flowing in the middle — and this is my 500th word — and not use that particular crutch. It makes me cringe.

At the same time, I want there to be a promise of something “more” with every word… I want the words to snap together in your head like magnetized little pieces. I want to build a castle, and I want you to live in that castle and have a gala there, and maybe it’ll actually be the set of an action movie… the gala itself will just be a cover for an arch-villain’s master theft and your team, nattily dressed as partgoers, will be there to stop it. You’ll use really cool, virtually invisible gadgets to communicate and there will be a flowering sexual tension with everyone on your team finally bringing their “goods,” so speak. Only later will you find out that the whole thing was a setup, and there was another team there, watching your every move, thinking you were the bad guys… I want to constantly trigger mechanisms that start Mission: Impossible in your head.

But not the sequels because they stink.

High Tide in Brooklyn

I couldn’t wait five minutes. I was walking to the subway from work and called a friend who was in a conversation: He’d call back in five. I stood next to the stairwell, pacing, flipping my phone open to see if the numbers had changed. 4:51. Then, after an hour: 4:52. I couldn’t make it. Tourists flooded past me, men handed out newspapers: 4:53. What would I do when I got home? 4:54. Read a book, I suppose. 4:55. Now I could see 9 p.m., and it looked like my living room, with the TV on and a book in my hands. And by the time my phone flashed 4:56, I was through the turnstile and headed to my sixth home in eight years.

My superintendent got the boot last week; the management company fired him without remorse or much warning, it appears. He’s lived here for 39 years and they sent him a letter giving him two weeks to get out. People in the building were outraged, and took to the building’s e-mail list to register their outrage and arrange for him to see tenant lawyers. They even put a signup sheet downstairs to pledge support, which I missed — by the time I got there, the list had been removed and it was just an exhortation and a pen on a stick. Presumably those names were passed along to the people who deliver my rent statements. I have to suspect my landlords know it’s coming. They’ve done this before, and they’ve dealt with this before. It’s really hard to get someone out of their apartment in this city if they’re willing and able to fight back and whether they have rights that have been broken or not. This is part of it.

On the bright side, I’ve never been the target of something like this. I’ve been forced to move twice. Both times I lived on the second floor of a house in Queens, both times the owner sold the house, and both times were between 2004 and 2007 — not surprising, in restrospect. The amount of money poured into real estate then was staggering. In Woodhaven, Queens, a cluttered, low-lying and middle-class-at-best neighborhood, there were full attached condominiums going up that started at $650,000 by the middle of 2004. I didn’t know much about real estate at the time, and I knew jack about subprime mortgages, but I knew something was off. When the bubble burst, it took a few months for me to connect the dots. I took it for granted: to live in a city was to be transient.

That’s not how things are in my building now. Here, there’s permanence. When I moved in the person vacating the apartment told me of two local species: the “lifers” and the “steppers.” Lifers are self-explanatory. Steppers stayed 5-7 years. I was 31, and he was 37: MATH. It’s amazing that in Brooklyn, where everyone fancies themselves special, I became another puzzle piece. I was probably one before, too, but I was off the beaten path and that was its own reward. There’s an emptiness from having left Queens to move someplace so rigidly spectacular. I’ve seen this place plenty in movie sets, in sepia-toned photographs you can buy off the street. This place evokes the forties, or the twenties. White, tree-lined, beautiful when it snows. It won’t be much different in 20 years; its about slow changes, and slow movements in and out like my own.

Queens? Queens will be different. Queens is a place in motion, a place where the world constantly doubles back on itself, like the remains a giant wave following gravity back into the ocean and the teeth of another one. It’s not like that here, and so when there is something to overcome — like an unseemly eviction — the people become riled. There’s no denying the goodness of their quest. But having been where the heavy waves crash, time after time after time, I know it never stops. Just as Long Island has its turbulent Atlantic shore and its placid North Shore, Queens (tubulent) and yuppie Brooklyn (placid) express this idea — even if in doing so they inversely geographically situated to the actual tides, a funny little note. What’s not funny is a man who’s lived somewhere for 39 years being cast away from his home at a moment’s notice. For him, the years probably went by like minutes: 1971… 1972… 1973… 2009… 2010. And now, in a manner of seconds, he needs a new home.

I bet I know where he lands.

Up in the Air

Two weeks ago, I went to Ikea. It wasn’t glorious — how could Ikea be glorious? — but it wasn’t terrible. I needed things and I bought them, if reluctantly. I like to put things off, and Ikea doesn’t allow you to put things off. It’s all in front of you, and the price tags whittle away your impulses toward procrastination.

That was Sunday. On Friday, I invited my friend Ryan over to help me build my bedframe. I could do it without him, but I could do it faster with him. We got to work. We used little wrenches that Ikea gave us, and we used them effectively. We made half the thing until I noticed that something was wrong. Ryan was too high on making shit to see, and was confused as I explained it. The sides of the frame were four inches shorter than the bed itself. I looked at the box. The box said the sides were for a Twin/Full bed. My bed is a Queen. I picked up the wrong box. We consoled ourselves with spicy lamb sandwiches, and life was good and bad at the same time.

Last weekend was too snow-packed to fix the problem. This weekend I resolved to go back. I had to get a ride. Zipcar won’t have me. I convinced my friend Chris that it wouldn’t take very long for me to swap one small part out for another; initially skeptical, he resolved to interrupt his stagnant Sunday in Williamsburg to help me out, against every one of his instincts. We drove to the store and I steeled myself for the worst. It was much worse than I thought.

Ikea is designed to give the shopper the most pleasant, facilitated retail experience: Wide, clean lanes, full displays, everything. All the negativity is shoved into the Returns and Exchanges section. They make you take numbers, like delis, and you stand around with hundreds of anxious or angry former customers who just want their money back or to run some sort of scam on the retail giant. The percentages have to be like 90/10 percent, but everyone there feels pre-rejection feeling of rejection. There’s something about the holding area that says You’re Fucked before you’re even called, mostly because you’ve already been dehumanized to the point of farce. This isn’t Hell. It’s too boring to be Hell. It’s like Hell’s waiting room.

So anyhow, I waited in this mess for about 20 minutes before I decided that I didn’t want to wait anymore, mostly for Chris’s sake. He was so anti-Ikea that he had parked his car and decided to take in the soothing vista of New York Harbor, with its slow-moving rusted-out cargo ships and scenic Staten Island. Basically, I had about 10 minutes before he flipped and drove his back to the Burg with my sweater in tow. So I just got behind a register and pretended it was a line. When I got to the front, the cashier scolded me. “Next time,” she said, with the knowing inflection that there would be no next time, but we’d both pretend there would be so we could process my simple rutrn, “don’t come here unless I call you.” Scan, scan, card, sign, money, receipt. Back into the store I went to get the right size. Seven minutes later, I was headed back north. Chris drove me around the block, dropped me off, and sped home.

I got inside and put them in my hallway. It was only 3 p.m, and it was so nice out! Time to go back outside. But I lost steam, and I fell asleep on my earthbound bed. I awoke around 7 and realized that I was going to watch the Oscars, and that I’d better make the most of that fact. I heated up some popcorn and poured myself a water. A celebration! But I knew once the show started that the bed frame needed to be made. I’d waited too long. It was a full year ago that Chris told me I’d feel better sleeping up in the air; he said that there was something unspeakably regal about it. I believed him, but never took initiative. Now that I had, I couldn’t in good conscience wait any longer.

It was somewhere in between the Best Supporting Actor and Actress awards that I went to work. I stacked books on the far side of my room to rest the sides upon, and started screwing the pieces together on the near side. It went smoothly for the most part, but occasionally the pieces didn’t fit like they were supposed to, and it took the slightest bit of elbow grease to line them up, and I felt like a king. When it was all done (in 40 minutes, at most), I laid my boxspring and mattress back down and laid on the bed: A new view. An escalation. I was soaring. Chris was right.

But then, back into the living room to watch the Oscars. Suddenly everything was different. From there, the bed used to be only a feature of the bedroom. Now it was dominant. Regal. Royal. I was almost afraid of it. When I eventually tried to turn in, I was both nervous that I was going to fall off and effusively proud of whatever part of myself had actually gotten it done, as if it lived outside of me….

… and then I awoke, the terrestrial radio’s morning nonsense, which is perpetually inspired to be silenced. I dropped with the intent to hit the snooze button, and nearly faceplanted into the all. My legs had dangled for an unexpected half-second; I had forgotten that I was up in the air. I was dazed and braced myself against the dresser to gather my bearings. Remember what you did, I thought…

Then I walked over to the alarm clock, hit snooze, and jumped gingerly back onto the bed. I didn’t want to break the frame on the first day. I did this three more times before I got up. When I did, I slunk into the living room, confident that I lacked the energy for the pommel-horse leap back onto the bed. Chris and the Swedes had won. I was back on Earth for another 18 hours, and it was time to make the best of it.

Look up

I looked at the sky just now, and not fleetingly; I was outside, and I just looked up, up, up. It was just before dusk, and it seemed a miracle that it was 6:15 and there were still hints of blue. I noticed a bird’s nest in a tree branch that I initially assumed was a plastic bag, because so many of them come to rest there. It was too small to be the nest of a Morning Dove, which makes me happy, as their signature cooing has haunted me from West Tisbury to Forest Hills to the Tiger Woods 10 video game in which, on certain courses, it is a sound effect designed, likely, to put you at ease. When I lived in Forest Hills, in an old building in a wooded area of Queens, the birds would stand in the windowsill and coo. It took effort to bang the window, but they seemed to know the score even if you scared them away. They always came back.

I realized, as I craned my neck tonight, taking in whatever portion of the cloud formations I could, that it’s a rare thing for me to do. Most of my life at least recently has been spent looking straight ahead, or down. In Astoria, there was a shortcut to the train station that I would use on some mornings. The shortcut ran around and along a 60-ish-foot high wall over which the Amtrak passed — it was tall enough to pass over the elevated subway track. The latticework of  Amtrak’s power lines ran above along the edges of the rails, and birds would stand on them just long enough to have their lives removed from this world… whereupon their bodies would fall to the ground in the walkway that so many people hurried along… only the walkway was also a driveway for a municipal parking lot, which meant a lot of tire traffic, and a lot of pancaked bird carcasses. You could tell how long a bird’s body had been there by the amount of blood. Lots of blood — recent death. No blood — a long time. I saw flattened skeletons fairly often, which looked like displays in a pop-up book where you pull on tabs and the figure jumps into three dimensions.

Eventually I stopped using the pathway except for the most pressing emergencies (being late for anything but work, I suspect). But I had to keep looking down. Dead animals, vomit, dog shit — they were everywhere.

That said, Astoria had its charms. The food within five blocks of my apartment was better than the food within 20 blocks of anyplace else I’ve lived, and cheaper. Greek, Czech, Italian, Afghani, Colombian, Thai — we had everything. What we lacked, and what Queens lacks in spades, is atmosphere. There’s nothing sexy about it, which leads some to believe there’s nothing interesting about it, but they’re wrong. At the same time, there’s a reason that no public figure you may know as from Queens still lives there, or would even dream of it.

I wish Brooklyn was as interesting. It’s not, at least not where I live now. This is a Yuppie’s Paradise, as lampooned here (that was written in my apartment, and I have no idea to what degree I am the intended target, but I’d put it at around 30 percent. I’d be fine with it if the spot-in description of myself and my neighborhood didn’t leave me cold). I am implored by friends to whom I rave about studio apartments in the East Village that if I was to leave here, the grass would suddenly become technicolor green, and my eyes would widen with the thoughts of returning. I’m not so sure. It’s hard to look up when you don’t think you’re at the center of something; oddly, it takes a big of egoism to look to the sky and think that the weather, the world, is there just for you — you have to feel big to feel small again. Or like the subway ads say, sometimes you have to take a step backward to take a step forward. I guess the problem with a studio apartment is that you don’t have space to take many steps at all.

But it’s not that space I’m worried about; it’s outer space. I miss it. When I was growing up, it was paramount, crushing. The stars and moon were bright enough that I could drive without lights, especially in the snow. Often, it was too light for me to go to sleep. I never considered getting a curtain, or one at least one that blocked all the light. I thought if one sleepless night happened, so be it. I’d get back to bed the next night. When I got to Chicago and saw a friend blocking every bit of light in his apartment 24/7, I couldn’t bring myself to follow suit. Years later, I relented, and I was like everyone else. I hate having closed curtains, but now it’s just what I do, so again: not much opportunity to just stare at the sky and think. Of course, the more I write about it, the more I miss it, even if I remember the occasional feelings of terror it inspired in me about my insignificance. But my problem isn’t feeling insignificant. It’s feeling too significant, as if the bulk of my life’s work has been done.

I can’t remember the last time I opened a Word document and thought about writing. Oh, I’ve written a ton, but I’m talking about thinking about the words burning onto the page, and into the reader’s mind. It was easier to focus when I was writing for print every day. Every word was irretrievable, and every word was my name, which was out there. Now, it’s in here. I’ve stopped looking at my daily hit count because I don’t care, but I don’t care only because it would hurt to much to do so. I had victory in my hand and it slipped away. I was being read, which is the single hardest thing to achieve as a writer, and I took it for granted. The only way to reconcile this, to myself, was to blame the world. I was a star who hadn’t gotten his just deserves, I thought — no matter, I was a star anyway. If no one was looking, that wasn’t my fault. It was theirs. I messed around with forms, writing about anything I wanted, thinking I was a master at everything as my star slowly faded to a dull, insignificant twinkle. Any residual glow now is no different than the guy in Bombay who opens up a Blogger account — it’s the glow of the screen, pointing nowhere. It’s not real, but it’s not fake either. It is what it is. It’s also what I look at for hours upon hours of the day, stuffing my brain full of information about people, places and things. That’s great and all, but looking up helps me unlock the information that’s already in my head. By remembering how small I am, I remember that the combinations in my head are mine and mine alone, and that’s a comforting feeling.