Bryan Joiner

Why then I

Month: October, 2009

Favre (FAVRE)

Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre. Favre Favre Favre Favre Favre Favre Favre Favre, Favre. Favre Favre?

Favre.

Favre Favre Favre Favre Favre Favre—Favre—Favre Favre Favre Favre. Favre Favre?

Favre.

Favre Favre Favre Favre Favre Favre, Favre Favre Favre Favre Favre Favre. Favre Favre Favre. Favre Favre Favre Favre, Favre Favre: Favre, Favre, Favre Favre. Favre Favre: Favre, Favre, Favre, Favre Favre. Favre Favre Favre Favre:

Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre. Favre Favre Favre Favre? Favre: Favre Favre. Favre! Favre: Favre Favre. Favre. Favre Favre Favre.

Favre Favre Favre Favre Favre, Favre Favre Favre Favre. “Favre Favre Favre Favre, Favre,” Favre Favre. “Favre Favre Favre Favre Favre.” Favre Favre. “Favre. Favre Favre Favre Favre, Favre Favre.”

Favre Favre? Favre Favre Favre Favre Favre Favre Favre Favre.

Favre Favre Favre, Favre Favre Favre. “Favre Favre—Favre Favre Favre Favre Favre Favre—Favre Favre Favre Favre Favre Favre Favre Favre Favre,” Favre Favre. Favre Favre Favre Favre Favre Favre Favre Favre Favre. Farve Favre Favre, Farve Farve Favre Favre; Favre Favre, Favre Favre (Favre Favre Favre?); Favre Favre, Favre Favre Favre Favre. Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre.

Favre Favre Favre Favre. Favre Favre Favre Favre Favre Favre Favre Favre Favre. Favre Favre Favre Favre? Favre Favre Favre Favre Favre. Favre Favre. Favre Favre. Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre. Favre Favre Favre Favre Favre Favre Favre Favre Favre Favre, Favre Favre Favre Favre Favre, Favre Favre “Favre Favre Favre Favre.” Favre Favre Favre Favre. Favre Favre Favre Favre Favre Favre.

Favre Favre Favre Favre Favre Favre Favre Favre, Favre Favre Favre Favre Favre Favre. Faver Favre Favre Favre Favre, Favre Favre Favre Favre Favre. Favre Favre Favre Favre Favre Favre? “Favre Favre,” Favre Favre, Favre Favre Favre Favre. “Favre Favre Favre Favre Favre.”

Favre?

“Favre, Favre,” Favre Favre.

Favre?

“FAVRE!” Favre Favre. Favre Favre Favre.

Favre Favre Favre Favre Favre Favre. Favre Favre Favre Favre Favre-Favre, Favre Favre Favre, Favre Favre Favre Favre Favre Favre. (Favre Favre Favre Favre Favre, Favre Favre Favre Favre.) Favre Favre Favre Favre Favre Favre Favre Favre Favre, Favre Favre Favre Favre.

Favre Favre Favre, Favre Favre Favre Favre Favre.

Favre. Favre Favre. Favre Favre Favre Favre Favre.

Favre.

FAVRE: Favre Favre Favre Favre, Favre Favre Favre Favre. Favre Favre [Favre: Favre Favre]. Favre Favre Favre Favre? Favre. Favre Favre Favre. Favre Favre, Favre Favre Favre Favre.

Atlantic Antics

Yesterday was the Atlantic Antic street fair along Atlantic Avenue in Brooklyn. I know because I live a block away from Atlantic Avenue, and took in the sights and sounds of the event, which stretched for a good mile and a half or so. The temperature was in the upper sixties, and the sky was cloudless. It was a perfect day for a stroll.

Barely had I gotten there when I was yelled at about America’s involvement in Afghanistan. “We need to spend money where it REALLY belongs—on health care!” a guy yelled while failing to hand out fliers. No one was engaging him, despite his best efforts and one presumes the crowd’s general agreement. It’s one thing to read Frank Rich, it’s another to engage the maniacal guy at Atlantic and Boerum. How very un-Rich like that would be.

It was at this point that I noticed I was walking behind supporters of Bill Thompson, the comptroller who is running for mayor. There were two of them holding placards aloft, yelling “Bill Thompson for mayor!” This being a big event in a part of the town that could skew anti-Bloomberg, I wondered whether the candidate was leading the group himself, but he wasn’t—it was just those two, who received almost the same response as Mr. Afghanistan until someone yelled in passing, “Bill Thompson! That’s my man right there!”

By the time I got to Court Street, I was thinking about where exactly I was going to watch the Giants game when I came across a makeshift stage, constructed by the Parks department. There, a group of people were playing Middle Eastern music, and about a hundred people stood watching. “Stay here!” the MC urged. “Our first dancer is coming up right now!” He referred to her by name, which I have forgotten but remember had a real-world double meaning. We’ll call her Joy. Two minutes later, Joy was on stage dancing to the music. She was dressed in a brightly-colored silk-and-mesh outfit and looked exactly like a transexual. The crowd ate it up. I turned to leave.

Along the sidewalk, a man was playing a flute to accompany the music, to and for himself, in a storefront. A woman sitting in front of him shimmied to the music from the Parks Department speakers as Joy continued to swirl onstage.

I realized I was getting hungry. What to eat? There were so many choices. Most of them were standard street fair fare, like Italian sausage, french fries, fried cheese in many different forms and shish kebabs. There were several French restaurants along the route, and they hawked oysters and shrimp. There was even a crepe stand. My stomach was mostly full from the night before with spicy lamb meat, so I wasn’t tempted by the heavier stuff, though I did inquire as to the price of a falafel sandwich. I was told it was eight dollars, and resisted the urge to ask if he meant American currency.

By this point, I was almost back at my house, but I stopped to look at the offerings from the antique stores I’m too embarassed to go in. I learned very quickly that I should be saving old stuff—chairs that would be thrown out at a Queens school were fetching $600. The highlight were some high-ticket 50’s-era tin robot sculptures, which were arranged around a sign adminishing passsers by to “Please Do Not Touch the Robots.” Life lesson, learned.

After all this, I still needed food, so in the middle of this cross-cultural event in the heart of blue-and-Green Card America, I went two American classics: corn on the cob slathered in butter and salt, and lemonade, which I took back to my apartment. It was time for football! I knew the day would be better spent at the street fair, but I was drawn to kickoff like a kid to cotton candy. Sitting in front of the TV on a beautiful Sunday, I felt like I was participating in an American ritual as colorful and important as the street fair. Maybe I was just making excuses, but doesn’t football bring America together—fathers and sons, mothers and daughters, generations and generations—just like the Atlantic Antic? The communists and the powerful? The sinner and the saints? The trannies and the… whoever?

Or am I just being corny?

The (Other) Crisis

I have an article on the financial crisis, and how it may have provided a window into the future of journalism, in Last Exit Magazine.

Should the Manhattan Bridge Be Painted?

I was taking a long walk along the East River the other day when I realized something: the Manhattan Bridge is the wrong color.

Go ahead, roll your eyes. It’s true.

There’s something that’s never quite sat right with me about it, and I could never put my finger on it. It dwarfs the Brooklyn Bridge—its smaller, older brother—in stature, but that’s about all. The Brooklyn Bridge is a part of the American consciousness; the Manhattan Bridge just goes to Chinatown. There are no marriage proposals on the Manhattan Bridge, though I wouldn’t be surprised if divorces were finalized there.

All of this is true despite the fact that the Manhattan Bridge is quite wonderful, both aesthetically and functionally. With trains actually passing over the bridge’s span, more people travel over it on a daily basis than the Brooklyn Bridge, or any other East River Bridge. More eyes may be trained on the Brooklyn Bridge, but that’s not the Manhattan Bridge’s fault. After all, it’s one giant piece of camouflage.

For those of you who haven’t seen it, the Manhattan Bridge is pained a deep blue, the origin of which is found in old Dutch delft tiles—best known as white-and-blue pottery from the 17th and 18th century you’d see at the Met. The decision to paint the bridge this color was likely an homage to New Yorks’ Dutch ancestry. If that was the case, the bridge-painters succeeded beyond their wildest dreams. Just as the Dutch influences on modern New York have been erased but for some unmissable place names (Spuyten Duyvil is not the Dutch U.N. representative, and Hell’s Gate has nothing to do with the place way downtown), so has the meaning of the bridge’s blue been obscured.

In fact, the bridge might as well be missing from the East River landscape; it exists seemingly for function only. From loud, commercial Flatbush Avenue to loud, commercial Canal Street, it’s good for the Point A to Point B-ers. You won’t have anyone slowing down to enjoy the scenery, at least (some may prefer this). But I think one real coat of paint, and all of that might change.

As it stands now, the Manhattan Bridge’s color almost looks like it was chosen specifically not to overshadow the Brooklyn Bridge or the buildings on either side of it. Well, it’s there, so I think we might as well make the best of it. Instead of a bridge whose water-like color inspires people to slide off of it as soon as possible, why not go for a color people may look at?

So here’s my solution: paint it brown. Like a brownstone. (Or red. Or dark orange. I’m not picky).

What will it do? It’ll give the bridge a distinctly Brooklyn feel. If the Brooklyn Bridge is forever associated with Manhattan—and it is—the opposite may as well be true. It’ll also become a living, breathing thing like the Golden Gate Bridge, which needs to basically be constantly repainted. That would be pricey, but a) I’m not making a city budget, and b) if it was brown from the beginning, no one would think twice about it. The bridge would stand out against the water, and appear to be a living connection between Brooklyn and Manhattan, which the Brooklyn Bridge is not. Its stone slabs are a monument to human achievement, but they’re also a tomb. Not just symbolically, but literally. Hundreds of people died creating that bridge, victims of the difficulty of building in water. It may be gray to the eye, but it’s inexorably connected with the waves underneath.

The Manhattan Bridge should resonate differently. It should celebrate our triumph in engineering not by shrinking it against the river or its more famous brother, but by bringing it to life. Play the bridges off each other, and they’d both look better.

I’ll admit, I’m still working out the details. But I’m happy, for now, with the rarest of phenomena: a Manhattan Bridge proposal.