Bryan Joiner

Why then I

Goodbye, Peter Luger

Peter Luger’s has changed. Where there used to not be a third large dining room there is now a third large dining room. This is odd because Peter Luger’s is not supposed to change. You are. And you do.

•••

When I moved to the city almost 10 years ago, I didn’t know much about it that I didn’t learn on TV. As a 23-year-old moving in with a 30-year-old girlfriend, I was in for a series of introductory classes to New York and adulthood, none of which were easy. It was kind of like the first year of Law School, when they make everything hard to weed out the losers. I was determined not to be a loser.

I had very little money, however, but like a lot of new New Yorkers I had identified the place I wanted to spend large amounts of what little money I had: Peter Luger Steakhouse in Williamsburg. It wasn’t like I walked around thinking about this all the time like a 17-year-old saving for her first car, but I considered the deliberately rough-edged Luger’s as some sort of paragon of New Yorkism, the way some people would eye eating at Cipriani or sitting front row at Lincoln Center.

That was me—it was who I was. There was an everyman mystique to Peter Luger’s, which deliberately looked down at Manhattan’s raised noses, something that appealed to me. I spent more than 95 percent of my life in Queens, and the idea of going into Manhattan to be another loser dropping money he didn’t really have did not appeal to me. Luger’s famously takes one credit card—the Peter Luger credit card, a de facto corporate-only card with the balance due at the end of each month—so when you’re rolling in, you’re rolling in with cash. Translated to young me: You were coming in as a baller, or you weren’t coming in at all.

I broke that image in two last week when I went to Luger’s for the first time in five years and paid with the paper money I acquired by cashing in a year’s worth of change at the TD Bank Penny Arcade earlier in the day. One year, $216 worth of change, more than half of it converted into steak. Free steak, basically.

I don’t know if the free steak aspect of it is what has my stomach churning, even now, thinking about the meal. I don’t know if, freed from my post-adolescent view of Luger’s as a New York status symbol, I was able to focus more closely on the food than I had before. I don’t know if I just pretended to like the food before and have lost interest in pretending. I don’t know if I finally noticed that Luger’s’s scrupulous lack of pretension is itself an overwhelming pretension, or whether it has just stopped appealing to me. I don’t know if I’m just as at age and place in my life where a homemade steak, three minutes to each side, then into the oven, is far more appealing than the pretentious restaurant experience. I don’t know if this is just a phase for me, and in 10 years I’ll want to go back, and hating on Peter Luger will provoke the same type of nostalgia that loving it has churned up in the service of writing this article.

All I know is that I was unimpressed and I don’t want to go back.

•••

I’m not a vegetarian. I’d sure like to be one, though. I think I’d save a bunch of money and animals and I’d have more energy and the only consequence would be getting laughed at by people who think that it’s funny to laugh at vegetarians. Plus I’d still eat seafood, because fish are stupid and delicious.

I’ve had a few periods of vegetarianism that last a few days at a time, but there’s always an equal and opposite reaction. I’m weak. I am a weak human, and I will come back to burgers like the guy smoking a cigarette filter hoping for just a trace of nicotine. Only I’m worse because a cow gets it in the end and I feel like a catatonic slug—which means I am like a slug compared to other slugs.

This is not a treatise on how you shouldn’t eat meat because Bessie was such a sweetheart. This is me saying I feel better when I don’t eat meat. Much like some people are soccer fans for the fashion, I’m a veggies fan for the pep in my step.

Of course, I’m writing this in another veggies binge, albeit a longer one than normal. Outside of the steak dinner, eight whole days! And there was much rejoicing. I am keenly aware a backslide might be forthcoming, however. Until then, I fight the good fight.

Hence all these words. My words are saying that, largely for the reasons I used to love it, Peter Luger’s is an overvalued commodity.

There is no argument that the quality of meat at Luger’s is quite good. It was my understanding that Luger’s staff would buy meat, hang it up in the basement, allow mold to grow on it, and at the time of cooking, effectively cook off the mold, leaving as much as the meat as possible cooked but uncharred. Kinda brilliant, if you think about it, at least to someone who doesn’t think much about cooking.

Except for also kinda not, which I’ll leave just like that as a deliberate tease.

My stomach is hurting again.

The bill came to $130 per person for the three of us, not counting the beer I got while we waited. We got steak for four instead of three, so it could have been cheaper. Also might explain the stomachache. I ran seven miles that afternoon. Leave me alone. But keep reading.

•••

To those of you who haven’t had the pleasure of going to Luger’s, I’ll present the menu to you more or less in its entirety:

Mains

• Steak (porterhouse) for X number of people

• There are other cuts/food items on the menu but I’ll believe they exist when I see them

Sides

• Bacon

• Creamed Spinach

• Tomatoes and Onions

• Potatoes

• Shrimp

Of course, Devil+details=BFF, so let’s tackle these in reverse order with more colorful nomenclature:

• Shrimp the size of infant forearms

Did I do a bad job of making that sound appetizing? My bad. Solid “buy” rating here.

• Potatoes they will try to push on you by being like, “Potatoes?” and expecting you to say yes without thinking, which, let’s face it, you might

They’re fucking hash browns. Avoid until the next morning’s breakfast.*

• Tomatoes and Onions

It’s a plate with giant rings of tomatoes and onions. To eat with a fork. It’s quite German. It’s kind of hilarious. Avoid.

• Creamed Spinach

Order more than you think you need. This is your baseline. Add as necessary.

• “Bacon” that will change your life

Transcript-like-thing-with-hints-of-internal-monologue-thrown-in from a diner at our table on Saturday who we’ll call “Bryan J.” to protect his or her anonymity:

“If we’re going to get steak for four instead of three why should we bother with the ‘bacon?’ Yeah it’s a huge, thick and wide but we’re eating plenty of red meat later. Okay yes I know this is white meat but still. I say get the shrimp and skip the bacon. Fine, you guys get the bacon. Hey let me have some of that bacaaaaaaaaaaaaaaaaaaahhh oh my god.”

Get the bacon.

• Other cuts/food items are to be ignored, excluding burger

Yes, yes, the mythical Peter Luger burger, the one that’s only available at lunch and which the waiters scowl at you for ordering. I’ve had it, and it’s glorious. But there’s no glory to be gained from saying you’ve been to Luger’s and not had the steak—a burger can be pretty good, and an entire accessible food craze has been built upon this platform, but it still can only be as good as a burger can be, which is not as good as a steak. QED.

• Steak for X

About that “we cook the mold off” thing: It means you’re not really jazzing up the steak.

I’m sure this is how steak purists like it. I don’t know if they also like enough butter to fill a swimming cap with, too, but that’s how you get the steak, wading it in. The butter, not the swimming cap. There is no swimming cap. The butter doesn’t do much to flavor the meat—it actually masks the flavor. In my opinion. To the degree that eating the twix-bar sized wedges of meat ends up feeling more like a bird choking down a large fish than enjoying the process of chewing, tasting, talking way too much. You need to eat fast enough that you don’t fall asleep, because you WILL fall asleep.

It is basically an old-time feeding frenzy that I have grown out of enjoying. You pay for the brusque-ness. I get enough of that as it is.

But wait, there’s schlag

Oh yeah for dessert, and they give this to everyone, is a giant bowl of whip-cream like stuff called schlag that you scoop with milk chocolate medallions and basically if I killed someone and got the death sentence and had to have a last meal this is pretty much precisely what I would choose to please the PETA people who wouldn’t want me taking the life of another sentient being, but mostly to please myself, despite the gnarly stomachache, which obviously comes with a shelf-life, unless the governor is feeling nice.

* Except that you are clearly not eating breakfast the next day. Maybe a pear or something.

Five Desert Island Albums from my iTunes

My iTunes has a long and storied history of being erased through breakage, human error and theft.* There aren’t many albums on there right now. There are few enough that I can count them: 79. More than I thought, but fewer than there would be if not for the crises listed above. We’d be in the 200-300 range, and I’m not even a big “music guy.” I’m an aspiring one, however, because I’ve realized how much I really like music in the month I’ve gone without cable. Sort of like having a normal sense of smell (mine is pretty shitty, which isn’t all that bad in the city, most or the time) might change how I feel toward nearly everything in my life, I just play the hand I’m dealt. Without garbage television cards to play, I’m leaning heavily on my iTunes account, especially after I got that message from Time Warner for illegally downloading torrents that said they were after me, basically. Jerks! Get a life.

* There was no theft

Any top five albums list of any time is an excuse to talk about things that you like in a context that doesn’t seem self-serving but really is, and this one is no different. In no particular order:

1) Beck, Sea Change

I lied. There is an order. I’m listening to this album now and it inspired me to write this post. I have a long-ish history with this album that’s about half as long as the album’s actual history. An ex-girlfriend is involved, but this album has survived the emotional fallout. Recently another player on my basketball team put this on during our maddening drive home (they close a bunch of shit on the Brooklyn Bridge toward Manhattan after 11 now, leading to gridlock’d chaos, more or less) and nothing seemed weird about it, because it’s self-evidently awesome.

2) Miles Davis, Sketches of Spain

The last computer explosion spared Sketches but ate Kind of Blue, so that decision was made for me.

3) Radiohead, In Rainbows

Ask me tomorrow and it could be OK Computer. Ask me the next day and it could be Kid A. Ask me the day after that and it could be Hail to the Thief.

But more likely if you asked me tomorrow I’d just say, “In Rainbows, but ask me tomorrow and it could be OK Computer. Ask me the next day and it could be Kid A. Ask me the day after that and it could be Hail to the Thief.”

4) Stereolab, Emperor Tomato Ketchup

I don’t think I was a small-town rube who only listened to pop music when I got to college in Chicago—I still think I’m a small-town rube who only listens to pop music, even if it’s not true. It was sure true back in 1996, though. This album was and remains the album that showed me there was Something More out there, and it has not stopped being awesome.

5) Nas, Illmatic

I tried to come up with some explanation as to why I was picking Kanye (My Beautiful Dark Twisted Fantasy) above this that involved “All the Lights” and desert-island sunsets, but it was horseshit. This is probably the album I’ve listened to more times than any other in my life, which I’m just realizing now.

But Bryan there are no Beatles albums on your list

That’s true, but they’re all in my brain. I realized this week that I hadn’t listened to Sgt. Pepper in probably five years, and that’s a conservative estimate. There were two summers growing up where I listened to nothing but the Beatles. And when I say nothing, I mean nothing. My best friend, brother and I all worked at the same place and no matter who drove there, we played Beatles tapes. I went from not knowing a Beatles song from a piece of bark to knowing everything about them in two summers. I loved Sgt. Pepper then, but it wouldn’t be my favorite now. Abbey Road is probably my favorite, which is unfortunate only because it believes I think they were still getting better when it all fell apart, and yeah, the tension reached a breaking point, but still.

There had to be some tough cuts

Well as this list is entirely hypothetical, I wouldn’t call them “tough.” To that end, no one has really ever explained how we’re going to play these albums on this island. It was tough to cut Siamese Dream, but I have a habit of not listening to it after the first six songs anyway.

You are entitled to burn an EP of 5 songs from the other ones

Really?

Yes. Go.

Okay:

1. Let Down, Radiohead

2. Rebellion (Lies), Arcade Fire

3. 3030, Deltron

4. Television Rules the Nation/Crescendolls, Daft Punk

5. My Favorite Things, John Coltrane

Is this more or less capricious than the albums list?

Far more.

How are you feeling about the albums list?

Uh…

Spit it out

I might swap out Beck for the Avalanches’s Since I Left You.

That album is awesome

Yes it is.

What keeps planes in the air?

What keeps planes in the air? Yeah, yeah, hydraulics, geometry, combustion and speed. That’s not what I mean.

What I mean is: Why do we fly?

That question has long had two answers: Business or pleasure. Apparently they used to ask which it was at ticket counters, and they still ask it at Customs. The question is really: “What in God’s name is so important that you need to leave God’s Green Earth for a few hours to get there?”

Airlines don’t really make money, and when they do it’s on the backs of wealthy corporations that pay egregious sums for last-minute and first-class seats that effectively subsidize the entire enterprise. Often it’s not the corporations themselves that do this subsidizing, but the people who work there who are otherwise egregiously compensated and think flying coach class is for rodents, and they buy overpriced seats, thereby subsidizing the whole enterprise.

The intersection of all of these factors comes in last-minute travel and it’s nowhere more stark than it is when traveling for the death of a loved one, where airlines offer a “bereavement fare” to those who show up with a death certificate.

THINK about this for a second. I think it tells us everything we need to know about airlines.

An airline will cut your fare by hundreds of dollars if you can prove that one of your loved ones died. They will do this because air travel has become as much a part of our culture as grieving. If you have decided to move away from your loved ones, you are allowed to go see them one final time. We have decided that this is fair for everyone. This is the bargain we have struck.

I will not get into the wisdom of mourning, except to say that it is such a regular occurrence in human affairs that there must be a value to it that goes beyond money. Except, in the cases where a bereavement fare is applied for and accepted, we have an exact number for how much, to one company and industry, the mourning of a death was worth.

In the months after September 11, I had a conversation with a friend who was angry at people who were angry at new flying regulations. “No one needs to fly,” he said, correctly. Of course, no one needs an iPad or Gatorade or even to brush their teeth, either. The difference is that people will subject themselves to specific searches and delays and the incredibly slight chance of certain, immediate death to fly, which I imagine they would not do to obtain Gatorade, unless they were thirsty to a degree few have experienced.

The hollering about these delays is nonsense. Air travel is the most efficient way to get from, say, New York to Charlotte, but that does not mean air travel is an efficient system. It is, in fact, such a grossly inefficient system that it relies heavily on subsidies and union labor and price gouging of AmEx black holders that the cognitive dissonance between the reality on the ground (so to speak) and the average person’s idea that flying should be simpler and easier is so vast as to be almost indescribable.

I have a good number of friends and one brother who are obsessed with air travel—its inherent romanticism and Byzantine framework are, for them, the stuff that studying makes life worth living. One will holler out the carrier name for each airline that sends a plane over the Mets’ home ballpark, usually before the rest of us have even noticed the plane; another wrote a full New York Times column on how to abuse the airlines’ nonsensical fee structure; another has kept every ticket stub from flight he has taken, a pile that was larger than the size of a fist when I last saw it seven full years ago (note: I used to do this with sports tickets, but eventually stopped; my friend laughs at me); my brother has merely devoted his life to trying to get a job at an airline, going to engineering school and wading his way through various supply-chain management jobs until an opportunity arises at an airline and he boards, ultimate destination unknown.

It’s here I wonder if the purpose of flying hasn’t been misunderstood from the very beginning, and whether airlines should be set up like movie theaters, where the attraction (being the air) is the draw, and not as a utility to get us from one place to another. (As a movie does with time and emotions.) But—no. Hooters Air can attest to this. For 99.9 percent of the people who do it, flying is a void into which we shove Stieg Larssen books and airplane food. It is the absence of an experience, because the only experience we imagine we can really have on an airplane is crashing.

Which gets to another point: When flying, you cede all control to the airline system both on a macro (getting to the airport, having your goods X-rayed, being delayed by a storm system thousands of miles away) and micro (pilots and flight crew, storms hundreds of miles away, people sitting next to you) level. But in every case, you’ve almost always ceded control to something larger than air travel, be it business, emotion or wanderlust. The last being a lack of control that looks like a freedom right until you realize that the truly open mind could be enlightened by the next town over.

But that truly enlightened mind is as much an ideal fiction as the fiction that airlines are run efficiently. Sometimes we really feel like we need to go far, far away as fast as possible—a view that is encouraged by enlightened travel writers, who encourage us to move without guidebooks in foreign places because travel is the best way to broaden the human soul. What would these writers do without air travel? What would any of us do? If airplanes suddenly vanished from the world tomorrow (on the ground, empty), would it change our concept of what it means to be human? And another thought experiment: What if this was just temporary, and we decided to start “airlines” as we knew them from scratch, as a business and system that made sense? What would we end up with?

It’s my thought that we might end up with something slightly more efficient in the short-term, but we’d end up with the same problems in the long-term. The airplane is an anachronism, kept afloat by nothing more than our feelings, which, more predictably than anything in history, twist logic to their own ends. The entire air travel system is a testament to our inability to balance our needs and our wants with any sort of economy. Any person’s lack of economy is one thing, but add up the change from hundreds of millions of people and it can support a perpetually failing business in the sky that always manages to stay airborne. If you look at a photograph of a plane, you have to know how it works to understand why it doesn’t fall toward the ground. It stays in the air not by hydraulics, geometry, combustion and speed but by love, heartbreak, dreams and fears.

Possibly interesting fragments of an uninteresting post I wrote a few months ago and never published

I had come home from work and missed my stop because of the adrenaline rush of getting an obscenely high score in Fruit Ninja, turned around, got my computer and went straight to the Banh Mi place, which raised its prices and was playing salsa music.

•••

I remember what it was like to spend 10 hours in a retail store trying to push the hands around the clock with your mind.

•••

I have not been working in any sort of customer service, where I am required to be nice and polite to people for their ends and those of my bosses. You learn about people pretty efficiently this way. Now I’m nice and polite to serve my own ends because unlike at a store where people are trying to find what they want, I’m trying to coax things out of them that they often don’t want to say. Sometimes they want to, sure, but not as often as I’d like. In the end I get my information, but in the exchange they end up learning something about me.

•••

Most journalists aren’t really trying to save the world, but are trying to live in it.

•••

The world is a nice place where people give you club soda for free if you just show up to ask for it.

Jonah Lehrer should not write about sports

This is largely the fault of sabermetrics. Although the tool was designed to deal with the independent interactions of pitchers and batters, it’s now being widely applied to team sports, such as football and basketball. The goal of these new equations is to parse the complexity of people playing together, finding ways to measure quarterbacks while disregarding the quality of their offensive line, or assessing a point guard while discounting the poor shooting of his teammates. The underlying assumption is that a team is just the sum of its players, and that the real world works a lot like a fantasy league.

No, Jonah Lehrer. That is not the underlying assumption behind sabermetrics. The underlying assumption behind sabermetrics is that things can always be done better, and finding a way to measure things is a good way to help us do things better. But there’s a reason teams are not run by computers, and it’s that general managers are still valuable for the reasons you cite. A team without statistics would do just as poorly as a team that used them exclusively, and your comparison to a stock market study (where people without analyzed the stock market better than those with too much data) doesn’t hold water. The stock market is a confidence game. Sports are results-based.

The problem is with not the numbers. The problem, as always, is about the people using them. There is no “math problem” in sports, the same way there is no problem with sports coverage on Grantland. Just people who know what they’re doing, and those who don’t.

The Stadium

Nick Swisher comes out to bat to music by Daft Punk, which is a shockingly good choice for a baseball player. I’m tempted to like him, and I’m not alone. He’s a second-generation Major League Baseball player who’s as comfortable in the madhouse of Yankee Stadium as he is anywhere else on the planet. He might even be most comfortable here, which is why he’s decided to turn his at-bats into a mini-dance party instead of trying to burnish one’s New York credentials, as the forever insecure Alex Rodriguez does by coming out to a Jay-Z song. In the pre-game introductions, Swisher gives a shout-out to his fans in right field when he’s done declaring his name and number. He has a mohawk that’s actually kind of endearing. Yes, I’m tempted to like Nick Swisher, right up until the point that I remember I was born in Boston and am therefore not allowed to do so.

I had not been to the new Yankee Stadium before last night. Call it an overkill on the old one. In 2002, fresh to the city, I made a friend who was also a Red Sox fan, and who liked coming to the local Red Sox/Yankees games with an obsessive/compulsive twist: he liked going to all of them or none at all. For three years, we chose “all.” It wasn’t overdoing it. It was hilariously overdoing it. I insisted on wearing a Red Sox hat to every game, because what are new New York transplants if not masochists? I took abuse, but not as much as you’d think, given that we almost always sat in the bleachers. The once untouched-by-justice area of the stadium had recently become a dry section, which meant its constituency had the strange effect of getting more sober as the rest of the park got more drunk. This led to more group chants of “ASS-HOLE!” in my direction, where everyone had to only participate a little bit, and fewer one-on-one run-ins with drunk, belligerent, unstable people, which is where the real damage happens. That never came to pass, and though I generally kept to myself, I probably deserved it at least once.

The year 2005 was as good a stopping point as any; the Red Sox had finally won the World Series, and I was experiencing a long bout of unemployment. When I finally got a job, I wasn’t eager to pour what little scratch I had into the Yankees’ pockets; the moment had passed. I tried sitting the bleachers a couple times for old times’ sake, and was just miserable. I had paid many dues in my life in New York, and I no longer felt the need to prove my true grit fandom at the ballpark. I would rather spend a little bit more on a seat and get to drink a nine dollar beer from time to time. I wanted to live the good life at the stadium, and was willing to pay the price for it.

When the new Yankee Stadium was built, though, it served as a natural inflection point to think about my relationship to the team and, more specifically, my relationship to money and baseball. I decided to stay away, influenced by the fact that my friend, the same one I went to so many games with, was frog-marched out of the Stadium in 2008 for trying to pee during God Bless America and told by police to “leave this country” if he didn’t love it, an experience which landed him on all manner of local news broadcasts and even The Colbert Report after he filed suit against the team for violating his first amendment rights. (He won, and the Yankees paid his legal fees and agreed to drop any policy restricting movement during the seventh inning stretch.) Curiously, by this point his compulsion had grown to the point where he was a full-season ticket holder during the whole ordeal, and he invited me to games when he had a spare, but our ballpark relationship had run its course. The problem was that I didn’t have any ballpark relationships to anyone else that transcended Shea Stadium and the old Yankee Stadium. Most of my friends are Mets fans, and cheap. Visiting the new Stadium never came up.

Then, on Wednesday, it did. My friend Nate asked a small group if we’d like to go to yesterday’s game against the Rangers. I pulled out my trusty Chart of Excuses and Deflections, and couldn’t find anything that matched up. I was in. I was kind of excited. I would be going back to Yankee Stadium.

Here were my observations from a chilly night in the Bronx: despite knowing where the new Stadium was, I kept looking for it on the site of the old one; you can actually get a beer for $6 now, albeit one that would be called “child” size in any other context; and if you weren’t paying attention, you wouldn’t be constantly aware by watching the game that you weren’t, in fact, in the old park. We watched Yankees second-year pitcher Ivan Nova struggle for a few innings while young Rangers lefty Matt Harrison, pitching without sleeves, went eight innings and gave up one home run, aided by the most effective double-play inducing night by a left-hander in the history of baseball (well, at least since 1974, when they started tracking this stat). He got six double plays. We saw history, for now at least. That’s the beauty of baseball. You never fucking know.

Toward the end of the game, no one cared about that. The Yankees mounted a comeback effort against Rangers closer Neftali Feliz, and it brought the life out of one guy in my section, who rushed toward the lowest seats to to start a “Let’s Go Yankees!” chant, and happened to do so right next to me. Between every pitch, he’d turn to either side of the aisle and yell, “Say it LOUD! And say it PROUD!” and then the chorus kicked in. I was reminded, as I often am in this city, of Frank Lucas/Denzel Washington’s observation in American Gangster: the loudest one in the room is the weakest one in the room. I said as much to my friends, within earshot of the guy, who would have heard me if not for his loud pride.

But I’m not criticizing him. Yes, Yankee Stadium is loud and overpriced and cloyingly obnoxious with its YMCA-dancing groundskeepers and patriotic bullshit. (I peed during the seventh inning stretch, per my right.) What I took for granted before is how into it everyone is, for baseball. It’s life or death every night, and everyone is rooting, loudly, for life, as if their yelling alone can and does make it happen. Despite the inevitability of death, especially in baseball, the Yankees keep winning, so the fans keep showing up and believing they make it happen. The Yankees win more and more, so they get louder and louder. When people cheat death, even through spending tons of money, we say it’s their right. We don’t say the same about the Yankees. They’ll probably get it in the end. But what if they never do? Don’t we have to learn to live with it? Isn’t that what those $6 beers are for?

Patriots

The family Christmas was scrapped this year in favor of a trip to Dallas over Super Bowl weekend back when I thought the Patriots had no shot of making it there. Instincts! Look at me, diagnosing the problem early on: no real playmakers and a shoddy defense. Look at me, forgetting late last week when asked if I thought the Jets +8.5 line is too high. “After a couple beers Friday night, I was convinced the Patriots were going to win,” I told Frowns. “And I never feel that way.” That should have been the sound of sirens, alarms, car horns. If I never think the Patriots are going to win, and they almost always do, I had the answer in my hands and let it slip away, like Alge Crumpler. The end was nigh.

It wasn’t inevitable, but it was clear from the second drive of the game that it was the type of game the Patriots lose. Any Patriots fan would know it, too, but many were so blinded by the 14-2 record that they felt a trip to the Super Bowl was a birthright. Even Kornheiser and Wilbon picked the Patriots over the entire rest of the playoff field. Now we’re looking a third Steelers Super Bowl in six seasons straight in the face, along with Roethlisberger/Brady arguments to propel the perpetual motion talk machine. All because the Patriots managed to lose to a divisional opponent, one which had previously defeated them and was designed specifically to beat them. All credit to the Jets: they have more talent than the Patriots. Yesterday was a clinic in what bigger, stronger players can do.

A word on Rex Ryan. Talking is not his strategy. Talking is part of his strategy. Note the quick retreat after the game in Ryan’s Brady-taunting. Watch the Jets quiet down this week against a team just as big as strong as them. I don’t think they’ll win the Super Bowl, but that’s not what yesterday’s game was about. Not that you’d notice, if you’d followed the postgame on Twitter, where the Internet was praising the Jets as if they had been crowned champions. It’s a great win, sure, but Ryan has said all year the goal is to win the Super Bowl. The guy has his priorities straight. Let’s not praise him for getting closer than the other losers. If the Jets win next week, we can start building rhetorical towers to his greatness.

For Patriots fans, remember: the Super Bowl is always the goal, and not getting there reinforces how good we were to win three. Those years are fading fast in our memories, but the Super Bowl is not a birthright. It must be earned. You don’t win that game without wining this one. Sometimes the bar eats you, and sometimes Tom Brady cannot stop it. If you want to take solace in anything, do it in the fact that the Jets aren’t celebrating today. They’re preparing. They’re trying to revive a championship culture. It might be time for us to do the same.

Twitter

During the memorial service for the Tucson shooting victims, Andy Borowitz let loose an invective against the proceedings on Twitter: “We are now turning every occasion, even tragedy, into a TV show. The audience is cheering as if for American Idol,” he wrote. Borowitz is something of a Twitter star, filing sometimes hilarious and almost always somewhat predictable political humor tweets under the name Borowitz Report. He has almost 50,000 followers. I’m not a Malcolm Gladwell apostle, but Twitter is the science lab for his theory that sometimes innovations are inevitable. To see many human minds working at once, just load up your Twitter feed, and see all but the keenest observations made simultaneously, in real time. Such was the case with Borowitz’s tweet. Twitter was full of people calling the event, almost to a person, a “pep rally,” and I quickly decided I had had enough.

I, not immune from Twitter’s pull, had jumped the start myself. As President Obama’s touching speech wore on, I encountered a problem. I had a joke, and it was a good one. But I couldn’t let it fly on Twitter without sounding like a total hypocrite. The joke was that since Obama’s speech was so good, I was going to Tweet that Armond White hated it, because Internet users would find an Armond White joke funny. I typed it into my iPhone and waited for Obama to stop talking. Then I had second thoughts. First, I was pretty moved by the speech at the end, and didn’t feel like making jokes. Second, influenced by the first, was my consideration of whether it was fair to Armond White to write such a thing. What if my Tweet got RT’ed all across the Internet? Yes, I had monomaniacal Twitter visions, and was already planning ahead to how I would defend myself against the self-styled king of contrarians. As I thought about the validity of my argument, I erased the Tweet. Just as soon as I did, I wrote it again, and posted it.

I would say I have one rule for my Tweets, but I really have several. I’ve said before that one shouldn’t Tweet unless it’s good enough to Retweet, but I don’t really believe that. That’s making Twitter sound more important than it is. Twitter is dumb. I think the best real-world representation of it is in the video of the Brooklyn Heights Jeep-destroying snowplow, where a videographer captures the whole event and screams impotently at the snowplow driver, with all its undertones of class warfare and passive-aggressiveness and self-importance:

Twitter is basically rich people talking to each other as if they weren’t rich. If you have time to sit around and make stupid jokes and complaints on a silly website, you’re pretty well off.

At the same time, I love Twitter when I love it. I love it when it points me to something really interesting or someone makes the actual rare unique observation. I love it when I gain followers, even if I have no idea why anyone would want to know what I have to say. I don’t mean in principle—I’m sure I can be very interesting—but in practice. I can’t stay on one topic long enough to get into a niche where my success in the medium will build upon itself, though it’s not for lack of trying for spells at politics, sports, whatever. Instead, I’ve approached it like I approach after-work sports, as an amateur who’s there mostly to help his friends. If there’s anything Andy Borowitz’s Twitter success has proven, it’s the reassuring, persistent notion that hard work conquers all skill. The more skill you bring to the work, the better, but the work will win out.

Why I became a writer, and what the Red Sox have done to change that

Here.

The Door Chime and the Butterfly

Is an essay at the Tumblr site.