Bryan Joiner

Why then I

No More Vineyard/Nantucket Game?

Sorting out my feelings on the news that this year’s Vineyard/Nantucket game has been canceled, and the Obama Nobel Peace Prize announcement. I also think the ALDS is insidious, not for any fundamental reason but because the short series forces you to watch all of it. I’m happy to miss an inning or game or two of a seven-game series, but if you blink you might miss a best-of-fiver. For all Bud Selig says about there being no compelling reason to change the playoff system, I think that’s the most obvious one. But what do I know?

That’s it for now. Saw The Informant! last night, was unimpressed.

The End of Letterman?

Last night, I wondered aloud whether this could be the end of David Letterman. I was quickly and forcefully admonished, but I still wonder. I certainly don’t think he’s going to get forced out, or face any external pressure to quit, but is there a chance he just up and walks away?

At first, the idea seems ridiculous. In light of his sleeping-with-interns scandal, he’s continuing the show, putting a lemon-faced smile every night. He beat the tabloids to the punch by admitting to everything he has been accused of, and has turned the show inward into one big joke about himself.

There he was, last night, pretending to be a yokel low-level news reporter. There he was, letting Vince Vaughn run roughshod over the show. The audience loved it of course: the scandal, in a perverse way, plays to Letterman’s self-deprecating ways; and everyone loves a free-verse Vaughn. He was the perfect guest for an awkward time, so on-the-nose that you can bet Letterman’s superiors are far more impressed with the host’s ratings than they are worried about his behavior.

I’m not judging the behavior. To my mind, now that he’s admitted it, he has exactly one person to answer to: his wife, Regina. And that’s why I can’t help but think this could be the beginning of the end.

Look at it this way: what would Letterman have to do at this point to get fired? It’s not that this incident was so bad—or really, in a grand scheme, bad at all—that I’m trying to paint Letterman as a criminal in varying shades of gray, but it would take a serious, serious incident to force CBS to take Dave off the air. This doesn’t even register to the network, the scandal equivalent of a monologue joke that falls flat, except you can see them thinking, “Move along, and yes, there’s plenty to see here, every night at 11:30!

I just wonder when Dave will tire of this. Late-night television is such a peculiar genre that only two people have ever really been master class performers. Letterman has, by and large, lived by his own rules, and his own internal compass has guided him to this point—that’s why, as New York Magazine’s cover story from about a month ago read, he never had to grow up. When the world indulges you, that’s the world’s problem.

But Dave did grow up, and got married, and kept showing up. His show evolved from the hip, outsider space to the seat of the winking insider. No longer uncomfortable with being late-night royalty, he embraced it in his endearing, sourpuss way. He had a child. He got married. As the article cites, he finally grew up.

Right now, Dave is doing the grown-up thing by working through the problem, continuing to perform while struggling at home. That’s commendable, but the truth is David Letterman isn’t like any of us. He doesn’t need to work for the money, and I suspect he doesn’t need it for some deep personal fulfillment anymore. That time has passed. He works because he enjoys it, having reached a point where it’s no more complicated than that. It took a while to get here, but he got here.

So my question is: what if he decides that having grown up, he would rather spend time tending to his wife and son than yukking it up on national television? To fix the one thing in his life, other than his work, he’s been attached to? It would be the final iconoclastic masterstroke for him, one borne out of a commitment to family and self he’s only recently demonstrated. It wouldn’t be a sign of weakness—it would, with the message that he could leave his show, a sign of supreme strength.

I don’t expect this to happen. I just wouldn’t be surprised if it did.

The Brooklyn Bridge at the Magic Hour

The other night, in discussing my plan to paint the Manhattan Bridge, I took some shots at the Brooklyn Bridge in the company of a proud New Yorker. She was aghast, but I continued as if she wasn’t even there. “… and it’s not even pretty anyway!” I bellowed. “I just don’t think it’s a nice to look at as everyone says it is. They just want to like it because it’s old!”

When I was admonished by not just said woman and, well, everyone sitting around me, I refused to back down. Okay, maybe I backed down a little, retreating to my initial point about the Manhattan Bridge’s need for anything—anything—to spruce it up. On Monday, I walked across the Brooklyn Bridge, like I often do, and everything changed.

I moved to Brooklyn in March, and it was July until I realized that the walk from City Hall to my house was no more than 45 minutes, and a sure way to beat the heat with the cool breezes at the top of the bridge. The first few times I did it, I made sure to stop and soak in the view of Brooklyn, Governor’s Island, the Statue of Liberty and Lower Manhattan. I almost never looked north.

I was trying to understand what made the bridge so great. I’m not a cynic by nature as much as someone who needs to see things with his own eyes. I wasn’t seeing it yet, but I continued to walk over the bridge. I needed the exercise.

During this time, I began dating a woman who has since become the official squeeze of this blog. She often gets off work around the same time as I do, and had admonished me for never calling her before walking over the bridge (she lives nearby). Well, Monday, I finally did it, and we met at City Hall and pointed ourselves eastward, and that’s when everything clicked.

For all my thoughts that the summer was the best time to enjoy the span, I was wrong. It’s right now. The angle of the sun from 5 to 6 p.m. is just right to cast the shadows of the suspension cables across the bridge’s stanchion’s, which are also bathed in the oranges, reds and purples of the setting sun—what’s known as the “Magic Hour” to photographers. It’s majestic, and it’s only then that the size of the structure stands out. Surrounded by cables and shadows, it feels like you’re experiencing a wonder of the world (when it was opened, it was called the Eighth Wonder of the World). Here the bridge existed not as a watery tomb to those who created it but as a living, functional piece of art with no American equal. And I was finally mad at the aliens (Independence Day), tidal wave (Deep Impact) and U.S. Government (I Am Legend) for destroying it.

Yesterday, one day removed from my epiphany, I walked over the bridge again. Without the lady and the exact weather conditions, it was a touch less spectacular than the day before, so I turned my attention back to the Manhattan Bridge. There it was, in its blue-and-rust splendor, existing mostly for truckers and commuters who could do without the Brooklyn Bridge’s pomp and heightened security. One thought overwhelmed all others: it’s just too watery. The blue of the bridge mixes with the blue-green of the East River to render it mostly invisible except in those photographs from DUMBO where it perfectly frames the Empire State Building. I, like many new New Yorkers, saw that for myself about seven years ago and thought I had discovered something amazing. Like my recent discovery of the majesty of the Brooklyn Bridge, it just showed I had a lot to learn.

My initial proposal was to paint the bridge brown, but I think I’ve grown attached to one by a friend who left it in the comments here: paint it beige, and train lights on it a la the Empire State Building. Change the colors nightly. The bridge would become a living piece after sundown, keeping the magic alive after its little brother’s breathtaking show at the dusk.

Favre (FAVRE)

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Favre.

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Favre?

“Favre, Favre,” Favre Favre.

Favre?

“FAVRE!” Favre Favre. Favre Favre Favre.

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Atlantic Antics

Yesterday was the Atlantic Antic street fair along Atlantic Avenue in Brooklyn. I know because I live a block away from Atlantic Avenue, and took in the sights and sounds of the event, which stretched for a good mile and a half or so. The temperature was in the upper sixties, and the sky was cloudless. It was a perfect day for a stroll.

Barely had I gotten there when I was yelled at about America’s involvement in Afghanistan. “We need to spend money where it REALLY belongs—on health care!” a guy yelled while failing to hand out fliers. No one was engaging him, despite his best efforts and one presumes the crowd’s general agreement. It’s one thing to read Frank Rich, it’s another to engage the maniacal guy at Atlantic and Boerum. How very un-Rich like that would be.

It was at this point that I noticed I was walking behind supporters of Bill Thompson, the comptroller who is running for mayor. There were two of them holding placards aloft, yelling “Bill Thompson for mayor!” This being a big event in a part of the town that could skew anti-Bloomberg, I wondered whether the candidate was leading the group himself, but he wasn’t—it was just those two, who received almost the same response as Mr. Afghanistan until someone yelled in passing, “Bill Thompson! That’s my man right there!”

By the time I got to Court Street, I was thinking about where exactly I was going to watch the Giants game when I came across a makeshift stage, constructed by the Parks department. There, a group of people were playing Middle Eastern music, and about a hundred people stood watching. “Stay here!” the MC urged. “Our first dancer is coming up right now!” He referred to her by name, which I have forgotten but remember had a real-world double meaning. We’ll call her Joy. Two minutes later, Joy was on stage dancing to the music. She was dressed in a brightly-colored silk-and-mesh outfit and looked exactly like a transexual. The crowd ate it up. I turned to leave.

Along the sidewalk, a man was playing a flute to accompany the music, to and for himself, in a storefront. A woman sitting in front of him shimmied to the music from the Parks Department speakers as Joy continued to swirl onstage.

I realized I was getting hungry. What to eat? There were so many choices. Most of them were standard street fair fare, like Italian sausage, french fries, fried cheese in many different forms and shish kebabs. There were several French restaurants along the route, and they hawked oysters and shrimp. There was even a crepe stand. My stomach was mostly full from the night before with spicy lamb meat, so I wasn’t tempted by the heavier stuff, though I did inquire as to the price of a falafel sandwich. I was told it was eight dollars, and resisted the urge to ask if he meant American currency.

By this point, I was almost back at my house, but I stopped to look at the offerings from the antique stores I’m too embarassed to go in. I learned very quickly that I should be saving old stuff—chairs that would be thrown out at a Queens school were fetching $600. The highlight were some high-ticket 50’s-era tin robot sculptures, which were arranged around a sign adminishing passsers by to “Please Do Not Touch the Robots.” Life lesson, learned.

After all this, I still needed food, so in the middle of this cross-cultural event in the heart of blue-and-Green Card America, I went two American classics: corn on the cob slathered in butter and salt, and lemonade, which I took back to my apartment. It was time for football! I knew the day would be better spent at the street fair, but I was drawn to kickoff like a kid to cotton candy. Sitting in front of the TV on a beautiful Sunday, I felt like I was participating in an American ritual as colorful and important as the street fair. Maybe I was just making excuses, but doesn’t football bring America together—fathers and sons, mothers and daughters, generations and generations—just like the Atlantic Antic? The communists and the powerful? The sinner and the saints? The trannies and the… whoever?

Or am I just being corny?

The (Other) Crisis

I have an article on the financial crisis, and how it may have provided a window into the future of journalism, in Last Exit Magazine.

Should the Manhattan Bridge Be Painted?

I was taking a long walk along the East River the other day when I realized something: the Manhattan Bridge is the wrong color.

Go ahead, roll your eyes. It’s true.

There’s something that’s never quite sat right with me about it, and I could never put my finger on it. It dwarfs the Brooklyn Bridge—its smaller, older brother—in stature, but that’s about all. The Brooklyn Bridge is a part of the American consciousness; the Manhattan Bridge just goes to Chinatown. There are no marriage proposals on the Manhattan Bridge, though I wouldn’t be surprised if divorces were finalized there.

All of this is true despite the fact that the Manhattan Bridge is quite wonderful, both aesthetically and functionally. With trains actually passing over the bridge’s span, more people travel over it on a daily basis than the Brooklyn Bridge, or any other East River Bridge. More eyes may be trained on the Brooklyn Bridge, but that’s not the Manhattan Bridge’s fault. After all, it’s one giant piece of camouflage.

For those of you who haven’t seen it, the Manhattan Bridge is pained a deep blue, the origin of which is found in old Dutch delft tiles—best known as white-and-blue pottery from the 17th and 18th century you’d see at the Met. The decision to paint the bridge this color was likely an homage to New Yorks’ Dutch ancestry. If that was the case, the bridge-painters succeeded beyond their wildest dreams. Just as the Dutch influences on modern New York have been erased but for some unmissable place names (Spuyten Duyvil is not the Dutch U.N. representative, and Hell’s Gate has nothing to do with the place way downtown), so has the meaning of the bridge’s blue been obscured.

In fact, the bridge might as well be missing from the East River landscape; it exists seemingly for function only. From loud, commercial Flatbush Avenue to loud, commercial Canal Street, it’s good for the Point A to Point B-ers. You won’t have anyone slowing down to enjoy the scenery, at least (some may prefer this). But I think one real coat of paint, and all of that might change.

As it stands now, the Manhattan Bridge’s color almost looks like it was chosen specifically not to overshadow the Brooklyn Bridge or the buildings on either side of it. Well, it’s there, so I think we might as well make the best of it. Instead of a bridge whose water-like color inspires people to slide off of it as soon as possible, why not go for a color people may look at?

So here’s my solution: paint it brown. Like a brownstone. (Or red. Or dark orange. I’m not picky).

What will it do? It’ll give the bridge a distinctly Brooklyn feel. If the Brooklyn Bridge is forever associated with Manhattan—and it is—the opposite may as well be true. It’ll also become a living, breathing thing like the Golden Gate Bridge, which needs to basically be constantly repainted. That would be pricey, but a) I’m not making a city budget, and b) if it was brown from the beginning, no one would think twice about it. The bridge would stand out against the water, and appear to be a living connection between Brooklyn and Manhattan, which the Brooklyn Bridge is not. Its stone slabs are a monument to human achievement, but they’re also a tomb. Not just symbolically, but literally. Hundreds of people died creating that bridge, victims of the difficulty of building in water. It may be gray to the eye, but it’s inexorably connected with the waves underneath.

The Manhattan Bridge should resonate differently. It should celebrate our triumph in engineering not by shrinking it against the river or its more famous brother, but by bringing it to life. Play the bridges off each other, and they’d both look better.

I’ll admit, I’m still working out the details. But I’m happy, for now, with the rarest of phenomena: a Manhattan Bridge proposal.

The Myth of NFL Parity

American sports are supposed to be about balance. That’s the thinking, anyway. If every team doesn’t have a chance to win it all every five years or so, there must be something wrong with the system. Life, liberty, the pursuit of happiness and a championship are things we believe to be human rights.

It’s galling, then, when your team is out of it from day one. Ask any Kansas City Royals or Pittsburgh Pirates fan how it feels, and they’ll tell you it’s downright un-American. They don’t have a snowball’s chance in August at beating the Yankees, Red Sox, Cubs, or Mets who toss around money without looking at the numbers on the bills.

To be fair, this works for baseball’s owners—the only people that the sport is set up to serve. Perhaps that’s why, despite record attendance and viewership, baseball can’t compete with football’s popularity. Or maybe it’s the nature of football that makes it so appealing: fast-paced and, with its once-per-week, short-season setup, well-suited to the short attention spans of the HD era. Finally, it could be the old saw that the NFL is the exemplar of “parity”—that American ideal that your team will, at some point soon, get a chance to win it all. What could be more compelling?

The problem is that the last part isn’t true: there’s no more parity in football than there is in baseball. And the problem might be even worse.

The difference is that while baseball fights over money, football teams stock up on brains. Managerially-speaking, baseball is an easy thing to master: get the best players, make sure they get along, and go. Football’s the opposite. There’s so much to know that’s exclusive to the sport that there are precious few people who have it down cold. There are rules on top of rules on top of rules for everything from the draft to the those the penalty mask penalty, and they change every year. Mastering it is a mix of game theory, attention to detail, and brute force. It’s like knowing the code for Deep Blue, or reading a map of Queens. It’s incredibly hard to do.

For all the talk of NFL parity,there have been more World Series winning teams (8) this decade than there have been Super Bowl winners (6). This year, while some new teams (like  the Vikings and Jets) have joined the traditional powerhouses (Colts, Patriots, and Steelers) amongst the league’s elite, there is a slew of teams that will be luck to win four games. The Chiefs, Browns, Raiders, Rams, Pathers and Lions are symbols of the futility of hope. What are they playing for? Not much. At least baseball’s fickle enough to give teams a glimmer of hope for a couple months. In football when it’s gone, it’s gone.

What’s the cause of this? The strength of organizations. The Steelers, Colts and Patriots understand how the game is run: they supplement star players with replaceable ones, and employ a buy-low, sell-high philosophy. It sounds easy, but it’s not, and it takes supreme know-how to pull it off at every level of your organization: CEO, GM, coaches, players. Everything is constantly in motion, and having everyone keep pace is what makes the great teams great. It’s anything but a numbers game.

That’s what makes it harder than baseball, and why football won’t even out anytime soon. In baseball, a good numbers man (or woman) can still exploit the gaps and give the little team a fighting chance. In football, it’s one giant gap to be exploited, and the people who do it at a championship-caliber level are far fewer in number than their baseball counterparts. Football’s not considered a thinking man’s game, but if you look beyond the line of scrimmage, it’s exactly that. It’s like 53-person chess. If you’re good, you’re good, and if you’re not, you’ve got a better chance hoping for a miracle at a Mets game.

The Reminders

The reminders are there, just off to my right. They’re on each level of the bookshelf. Red Sox Century. Patriot Reign. Now I Can Die In Peace. Faithful. Hell, even John Adams.

I am not where I belong.

The books are taunting me, like a child on a playground. What did I watch today? I watched the Jets play the Titans. The Jets.

Flying start aside, watching the Jets, for a Patriots fan, is like the varsity football team for the much smaller school across town. New York may dominate Boston in size, but the Patriots dwarf the Jets in stature. The Patriots resonate across six states, even in the lean years. The Jets can’t even make it out of the Giants Stadium parking lot.

I was walking around this morning when I considered sidling up to a bar to watch the Pats, but it’s just not the same. The three hours, drinking piss beer under cover of darkness, cheering against everybody who’s cheering for every other team? That’s not Patriots football. For me, Patriots football is the slow anticipation of gameday on my hometown soil of West Tisbury, confident that, whatever happens, it will be dissected six ways to next Sunday in the hours and days following the final snap. Of course, it only matters if they won. When the Patriots lose, I don’t want recaps — I want a re-do. All is not right in the world, and there’s no way to fix it. Either way, the only way to catch it is on my own TV, with the real or virtual accompaniment of good buddies. That is, and always has been, Patriots football.

I know how people root for other teams, but I don’t get it. I feel the Patriots in my bones in a way I don’t even feel the Red Sox. The Sox, with their connection to the soul of New England, represent something different entirely. The Patriots make me think of walking out to the car, seeing my breath in the second week of December, bundled up against a blue slate sky and the frost that radiates from the ground up.

As far as I can tell, being a football fan in this city means something different. But then again, being any type of fan in this city is different. The first question you ask isn’t, “Did you see the game?” but “What team do you like?” The fact is, the New York region is either underserved or overserved on teams, but it’s far from on the nose. The popular teams like the Yankees and Giants are so popular that you could halve their fanbase and get one to rival that of the Mets and Jets. From the beginning you’re either a bully or burning with resentment, and in the common case that your allegiances cross those lines, a mess of contradictions.

That’s not the New England way, but it’s a way I’ve come to embrace if only to survive in this sports wilderness. It’s a bit of “water water everywhere, but not a drop to drink” — there will be football on all day, every Sunday, and more baseball than I can handle, but not the right football, or the right baseball. When the Pats do grace my screen, it’s a gift that I know will be gone too soon, and I’m not able to totally enjoy it.

The promise of the 21st century was that you could follow your teams wherever you lived, whether you were in New York, Newark or Nairobi. The reality is that you might just remember how far you are from home.

The Art of Tweeting Gracefully

I’m on Twitter. Sue me. Just make sure to Tweet about it 43 times too.

The last time an Internet phenomenon spread this quickly, it was YouTube. Between the moment I first heard about it and the moment one year removed from that, it had grown from a wisp of an idea to a full-fledged powerhouse. YouTube was the place for Internet video, period, end of story. It served a niche that hadn’t been filled, and did it so well, that it became the brand name for online video. “YouTube” is to video what “Kleenex” and “Band-Aid” are to their markets.

Twitter did the same thing. It’s the blog for people who are too fussy, too important, or too busy blogging to blog. You can find virtually anyone on Twitter, which is what makes it different than blogs. People, and their 140-character thoughts, are easily turned up, making your tweets available to anyone who wants them, and not just in the Wild West internet way: in a controlled, stable environment.

It seems great, right? Well it isn’t.

The problem is that not all Tweets are created equal, or, to be more precise, not all Twitterers are created equal. I care more about what my friends have to say, though I’m careful to mind Twitter as a supplement to, and not a replacement for, our actual relationship. But how am I supposed to find them when CBS Radio’s Mark Knoller Tweets every five minutes, all day? I have (albeit briefly) worked on the White House Unit of a major news operation, so I understand the amount of news created and the importance of every piece of it. Right now, though, it’s 9:26 in the morning and Knoller has tweeted 21 times today. 21 times!

He is far from the worst abuser (and as far as overtweeting goes, you’re not going to find a more informed, more important stream. He’s still clogging my inbox); according to most sources, Tila Tequila tweets about as often as she breathes. In light of a recent lawsuit she’s filed against her NFL-playing boyfriend, her Tweets are “protected,” which means I can’t see them without sending a request that would certainly be accepted. That won’t happen. But “Tequila”‘s Tweets get to the heart of what Twitter really is: the greatest marketing device ever invented. You can connect with brands, people, imaginery characters and they will talk to you — sometimes directly.

Here’s an illustration: the other day, Major League Baseball was giving away a jersey for the 500th person who Tweeted the slogan for their recent advertisement, which was “Beyond Determination.” I tried, twice, but wasn’t number 500. For the contest, you had to go to MLB.com to view the commercial. When I was there, I noticed a repeated spelling error, and I snarkily Tweeted about it. Within 90 seconds, MLB had sent me a direct message — which came ONTO MY PHONE — thanking me for catching the error and attributing it to an third-party company. I immediately felt bad about being snarky, but felt “closer” to MLB as a company — hey, someone was reading! — than I had before.

Contrast that with last night, when I was doing today’s New York Times Crossword Puzzle early. (I’m something of an addict) When I realized the phrase “Don’t Tase Me Bro” appeared in the grid, I jumped for joy — and lunged for my computer to Tweet “Rex Parker,” who runs a great NYT crossword blog. My elation was diffused within minutes, when he responded to my “I’ve been waiting two years for this” Tweet with a zinger of his own: “Good 2 yrs ago when Onion did it 1st.” Now, since I had apparently missed one instance of it two years earlier in a crossword I don’t do, was I not supposed to be excited? I’m not sure that helped.

In short, the rules of Twittering can be summed up with a Tweet-length primer: Be nice, be interesting, and may your tweets be sparing in number. I’m just the messenger. Don’t tase me.